<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4819019930487284714</id><updated>2012-02-15T23:38:15.768-08:00</updated><title type='text'>Indu´stria te^xtil</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://itxti.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://itxti.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Orlando Lopes</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4819019930487284714.post-3830021911204263996</id><published>2008-10-08T04:12:00.000-07:00</published><updated>2008-10-08T04:14:07.357-07:00</updated><title type='text'>Poetry's popularity soars online</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: verdana; font-size: 13px; "&gt;&lt;br /&gt;&lt;span class="storyby" style="font-family: verdana, arial, helvetica, sans-serif; color: rgb(102, 102, 102); font-weight: bold; font-size: 13px; "&gt;By Stephen Adams&lt;/span&gt;&lt;br /&gt;&lt;div style="float: left; "&gt;&lt;span class="filed" style="font: normal normal normal 10px/normal verdana, arial, helvetica, sans-serif; color: rgb(102, 102, 102); "&gt;Last Updated: &lt;span style="color: rgb(0, 0, 0); "&gt;12:01am BST&lt;/span&gt; 17/09/2008&lt;/span&gt;&lt;/div&gt;&lt;div class="cl" style="clear: both; "&gt;&lt;/div&gt;&lt;br /&gt;&lt;p class="small" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 10px; color: rgb(0, 0, 0); "&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;table width="100%" cellspacing="0" cellpadding="0" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Poetry, long thought of as an art form in terminal decline, is taking off on the internet according to new figures.&lt;/p&gt;&lt;table width="358" align="right" border="0" hspace="0" cellspacing="0" cellpadding="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td rowspan="2" width="8" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt; &lt;/td&gt;&lt;td width="350" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;&lt;center&gt;&lt;img alt="Andrew Motion" src="http://www.telegraph.co.uk/arts/graphics/2008/09/15/motion350.jpg" border="0" width="350" height="221" /&gt;&lt;/center&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="caption" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; font: normal normal bold 10px/normal verdana, arial, helvetica, sans-serif; color: rgb(102, 102, 102); "&gt;&lt;center&gt;Recognising the potential of the internet for poetry: Andrew Motion&lt;/center&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;The British-based &lt;a lang="en.uk" target="external" href="http://www.poetryarchive.org/poetryarchive/home.do" style="text-decoration: none; color: rgb(0, 51, 153); "&gt;Poetry Archive&lt;/a&gt; has released statistics that visitors to its website are now viewing a total of more than one million pages a month.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;More than 125,000 individuals - or unique users - have visited the site, which hosts poems and audio readings by the poets themselves.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Andrew Motion, the British Poet Laureate, who co-founded the Poetry Archive in 2005, said of the figures: "It's giving the lie to the idea that nobody reads poems any more."&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;He thought the internet was providing a better medium for poetry than books. "Either books have not been doing the job or they are being outmanoeuvred by the internet."&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;His comments come as it puts recordings by another 14 major 20th century American poets &lt;a lang="en.uk" target="external" href="http://www.poetryarchive.org/poetryarchive/search.do?method=region&amp;amp;searchTerm=usa" style="text-decoration: none; color: rgb(0, 51, 153); "&gt;online&lt;/a&gt;.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Kay Ryan, recently appointed as the US Poet Laureate, is among the 14 to have a total of 61 of their recordings made available on the website. She reads poems such as Paired Things and Flamingo Watching on the site.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Others to have their readings join the digital age are Gwendolyn Brooks and Theodore Roethke. It is part of a major collaboration with the US organisation &lt;a lang="en.uk" target="external" href="http://www.poetryfoundation.org/" style="text-decoration: none; color: rgb(0, 51, 153); "&gt;the Poetry Foundation&lt;/a&gt; to educate the British about American poets.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;More American poets will be added in the future.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Mr Motion commented: "Adding these American voices to the Poetry Archive has been a real revelation to us, given the rarity of some of the recordings in the UK, which means we were hearing many of these famous names for the first time.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;"And what a wonderful variety of accents and rhythms is implied by that single word 'American'- one day you might be listening to Ted Kooser's wise, deep tones transporting the listener to the stillness of a Nebraskan winter evening, the next to the restrained anguish of Yusef Komunyakaa commemorating the sufferings of the Vietnam war.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;"Throughout the experience of listening to and writing about these voices we feel we've been mapping America in a new and intimate way."&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;Emily Warn, editor of the Poetry Foundation, added: "Andrew Motion was one of the first to recognise that the internet is allowing millions of people to experience poetry in its oldest form — as an oral art form.&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;"Adding recordings of great American poets to the Poetry Archive makes it an even more comprehensive resource for people interested in listening to poetry."&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;The 12 American poets added to the Poetry Archive are: Gwendolyn Brooks; Hayden Carruth; Galway Kinnell; Yusef Komunyakaa; Ted Kooser; Philip Levine; Marilyn Hacker; Heather McHugh; Theodore Roethke; Kay Ryan; Jean Valentine; Rodney Jones; Robert Pinsky; and William Carlos Williams.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="story2" style="font-family: verdana, arial, helvetica, sans-serif; font-size: 13px; color: rgb(0, 0, 0); "&gt;&lt;br /&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4819019930487284714-3830021911204263996?l=itxti.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://itxti.blogspot.com/feeds/3830021911204263996/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4819019930487284714&amp;postID=3830021911204263996' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/3830021911204263996'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/3830021911204263996'/><link rel='alternate' type='text/html' href='http://itxti.blogspot.com/2008/10/poetrys-popularity-soars-online.html' title='Poetry&apos;s popularity soars online'/><author><name>Orlando Lopes</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4819019930487284714.post-8537090274632485569</id><published>2007-05-22T17:41:00.000-07:00</published><updated>2007-05-22T17:49:12.479-07:00</updated><title type='text'>NÓS, A MÍDIA: JORNALISMO CIDADÃO E O FUTURO DO JORNALISMO PROFISSIONAL</title><content type='html'>Olá. Repasso o roteiro para a minha comunicação no seminário "A CONSTITUIÇÃO DO COMUM: COMUNICAÇÃO E CULTURA NA CIDADE ", esperando os CTS (Comentários, Dúvidas e Sugestões) de quem puder.&lt;br /&gt;&lt;br /&gt;É tambaim fav'oire rep'ssaire a mais interessados na discussã...&lt;br /&gt;&lt;br /&gt;Até,&lt;br /&gt;&lt;br /&gt;Orlando&lt;br /&gt;&lt;br /&gt;14h - NÓS, A MÍDIA: JORNALISMO CIDADÃO E O FUTURO DO JORNALISMO PROFISSIONAL&lt;br /&gt;Armazém Nº 5 - Codesa&lt;br /&gt;Vitória-ES&lt;br /&gt;&lt;br /&gt;Roberto Romano - Zero Blog Network&lt;br /&gt;JornalismoAna Maria Brambilla - Editora Abril&lt;br /&gt;Orlando Lopes - PdC Salvamar/SEME-PMC/UERJ&lt;br /&gt;Moderação: Cleber Carminatti - Departamento de Comunicação/UFES&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Orlando Lopes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Nós, a Mídia [Ontologia] &lt;/strong&gt;&lt;br /&gt;· O quarto poder pode ser um poder difuso?&lt;br /&gt;o Razão sistêmica versus lógica de campo&lt;br /&gt;&lt;br /&gt;· A "máquina" Mídia, sua &lt;em&gt;tekhné&lt;/em&gt;&lt;br /&gt;o Mídia como um jogo de linguagem: instância na construção social da realidade&lt;br /&gt;&lt;br /&gt;· Os operadores da Mídia: públicos, privados e não-governamentais&lt;br /&gt;o Capitais reais, simbólicos e imaginários&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jornalismo Profissional [Epistemologia] &lt;/strong&gt;&lt;br /&gt;. "Jornalismo profissional" não é sinônimo de "empresa privada"&lt;br /&gt;&lt;br /&gt;· Jornalismo não é (apenas) reportagem: a importância do ensaio e do jornalismo crítico&lt;br /&gt;&lt;br /&gt;· Jornalismo (no Brasil) é um serviço público, cedido por concessão às iniciativas públicas, privadas e não-governamentais&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jornalismo Cidadão [Metodologia/Modelo]&lt;br /&gt;&lt;/strong&gt;· A liberdade de expressão representada pela atividade jornalística não pode ser reduzida ao domínio de uma categoria profissional: deve ser uma competência disponível ao conjunto dos cidadãos&lt;br /&gt;&lt;br /&gt;· A possibilidade de formalização pública de diálogos representada pela atividade jornalística a transforma em prioridade educacional: deve ser uma competência disponível a todo tipo de formação técnica e profissional&lt;br /&gt;&lt;br /&gt;· A diversidade e a polifonia da(s) cultura(s) brasileira(s) só poderá ser mediada por operadores autônomos: deve ser uma competência disponível a agentes e difusores culturais&lt;br /&gt;o A Mídia de massa tem grande potencial para operar a propagação canônica da Cultura&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;O PdC Salvamar [Aplicação]&lt;/strong&gt;&lt;br /&gt;· A formação de uma rede local de difusão cultural e de fomento à atividade jornalística&lt;br /&gt;&lt;br /&gt;· O Programa Experimental de Extensão Acadêmica (PEEA) do PdC Salvamar&lt;br /&gt;&lt;br /&gt;· O jornal i.Mediação [Intervenção]&lt;br /&gt;&lt;br /&gt;*&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4819019930487284714-8537090274632485569?l=itxti.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://itxti.blogspot.com/feeds/8537090274632485569/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4819019930487284714&amp;postID=8537090274632485569' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/8537090274632485569'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/8537090274632485569'/><link rel='alternate' type='text/html' href='http://itxti.blogspot.com/2007/05/ns-mdia-jornalismo-cidado-e-o-futuro-do.html' title='NÓS, A MÍDIA: JORNALISMO CIDADÃO E O FUTURO DO JORNALISMO PROFISSIONAL'/><author><name>Orlando Lopes</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4819019930487284714.post-4519658117981269666</id><published>2007-04-23T18:27:00.000-07:00</published><updated>2007-04-23T18:28:05.082-07:00</updated><title type='text'>SEM TÍTULO</title><content type='html'>tudo o que se toca&lt;br /&gt;a si mesmo equi&lt;br /&gt;voca : volta&lt;br /&gt;para a concha&lt;br /&gt;mesmo pelo lado&lt;br /&gt;de fora&lt;br /&gt;repetindo&lt;br /&gt;e alterando&lt;br /&gt;a antiga forma&lt;br /&gt;&lt;br /&gt;(molusco energúmeno&lt;br /&gt;concha desmontada&lt;br /&gt;em água morna)&lt;br /&gt;&lt;br /&gt;: quando o universo&lt;br /&gt;conspira&lt;br /&gt;a voz respira o que&lt;br /&gt;de outra forma&lt;br /&gt;não se fala:&lt;br /&gt;&lt;br /&gt;expele-se&lt;br /&gt;a substância&lt;br /&gt;do nada&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4819019930487284714-4519658117981269666?l=itxti.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://itxti.blogspot.com/feeds/4519658117981269666/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4819019930487284714&amp;postID=4519658117981269666' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/4519658117981269666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/4519658117981269666'/><link rel='alternate' type='text/html' href='http://itxti.blogspot.com/2007/04/sem-ttulo_23.html' title='SEM TÍTULO'/><author><name>Orlando Lopes</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4819019930487284714.post-533459090094556457</id><published>2007-04-23T18:11:00.000-07:00</published><updated>2007-04-23T18:23:53.463-07:00</updated><title type='text'>SEM TÍTULO</title><content type='html'>quem semelha vento&lt;br /&gt;escolhe suas próprias tempestades&lt;br /&gt;envolve nua e sóbria a verdade&lt;br /&gt;queima a parelha do invento&lt;br /&gt;&lt;br /&gt;se é no vulgo que fulgura o seu gracejo&lt;br /&gt;é por dentro – atrás da carne – que ganha relevo&lt;br /&gt;é por dentro – atroz alarde – que assanha os nervos&lt;br /&gt;cede ao vulto que tortura o seu desejo&lt;br /&gt;&lt;br /&gt;seja um murmúrio o que lhe fecha o pensamento&lt;br /&gt;ou imprevisto que desnuda véus aos ventos&lt;br /&gt;&lt;br /&gt;(é Mefisto que desmonta seus intentos&lt;br /&gt;seda lúgubre que descerra os sentimentos)&lt;br /&gt;&lt;br /&gt;se é no luto que figura o seu desejo&lt;br /&gt;é por dentro – feroz contraste – que arranha o nervo&lt;br /&gt;é por dentro – feliz tatibitate – que apanha o relevo&lt;br /&gt;mede o bruto a figura de seu gracejo&lt;br /&gt;&lt;br /&gt;quem espessa o tento&lt;br /&gt;acolhe suas próprias temeridades&lt;br /&gt;recolhe dura e mórbida vontade&lt;br /&gt;teima na centelha do momento&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4819019930487284714-533459090094556457?l=itxti.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://itxti.blogspot.com/feeds/533459090094556457/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4819019930487284714&amp;postID=533459090094556457' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/533459090094556457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4819019930487284714/posts/default/533459090094556457'/><link rel='alternate' type='text/html' href='http://itxti.blogspot.com/2007/04/sem-ttulo.html' title='SEM TÍTULO'/><author><name>Orlando Lopes</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
